♪dhStrings

Hi everybody-

It's down to only 8 days of proper practice, and if the sense of urgency hasn't yet set in, then I have nothing else to say.

It was disappointing to discover that some of you are still not practising your parts at home with a metronome and tuner. Either you feel that you don't need these trusty devices, or you simply can't be bothered to use them. Even if you generally have good intonation and rhythm sense, it doesn't hurt to double check once in a while. And for those of you who don't, all the more you should use them. The metronome and tuner are FAR more reliable than us seniors or teachers when it comes to pointing out such technical flaws, so I don't see why some of you simply don't make full use of them.

Many of you come for sectionals unprepared, and when this happens, we have no choice but to stop the progress (if any) and fix each of you INDIVIDUALLY. What's the point of coming together in groups when your individual parts aren't taken care of? As a result, many of you find your time slowly slipping through your fingers, because all you can do is sit and watch while each person gets his or her flaws corrected. Right? WRONG. As Miss Ku has emphasized countless times, PRACTISE YOUR FINGERING (shifts, stretches etc) while waiting instead of watching your youth gradually wasting away with each passing second. I'm sure this would be more productive than say, watching a couple of fishes swimming in a tank. (you know who you are)

The main purpose of practising in small chamber groups is to work on the ensemble element of your playing: balance, coordination, group dynamics etc. If you do not come prepared individually, you will NOT benefit as you are too caught up with your own inability to play in tune or in time. If you have not been doing anything about it, now is the time to BUCK UP. Even though it is in fact much too late to get started, anything is better than nothing. Doing something the same way over and over again and expecting different results is a form of insanity! As Meihui has rightfully pointed out, practise SLOW, make sure you get everything right, then gradually work up to performance speed. Honestly, all this should have been done at least 8 weeks before the big day, as opposed to the 8 days that you are left with.

In spite of the seemingly small number of ensembles that you are up against, competition is VERY stiff. I've heard news about the ongoing band syf. 8 of the 14 bands who had previously gotten the gold with honours award have played: FIVE have been demoted to SILVER, TWO to gold, and only ONE managed to maintain the honours. Even though I don't quite know the cause of these shocking statistics, a possibility to consider is COMPLACENCY. For the benefit of some of you, a definition of COMPLACENCY as given by Websters' dictionary is as follows:

A feeling of quiet pleasure based on self-satisfaction, usually coupled with a lack of awareness of existing or potential problems.

I don't see the need to explain that any further. If you feel that the gold with honours will be magically bestowed upon us just because we have attained that standard before, you could not be more wrong. Consider the consequences if you do not maintain the honours. As much as Meihui, Yunshan, Taxy and I would like to play, all we can do is sit by the side, nag and hope that some of it enters some of your stubbornly thick skulls. It is certainly frustrating for us, so we have justifiable reasons for running on short fuses. While some of you might be silently fuming at us for this incessant nagging, the truth is we don't really care. To put it magnanimously, we would sacrifice our stellar reputations as long as it delivers results.

Now perhaps you could roll your eyes in the direction of your scores, tuner, metronome, and instruments and PRACTISE.

Aaron